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Well, our trip to Namibia is over, and we had the time of our lives, thanks in large part to the suggestions and experience of the posters here. Originally we planned to do a small group tour of Namibia. However, the ones that interested me were all booked until the end of October at the earliest. So, I posted in these forums and got the suggestion of a private guide another poster has toured with. So, we had a privately guided, 12-day, 11-night tour of central Namibia. We let our guide know what sights and areas interested us, and he booked our lodges and activities, after okaying his selections with us. We were in Namibia from June 11-June 22--midsummer at home; midwinter there. June 11 John and I arrived in Windhoek a few minutes early at 10:15 a.m., after our overnight flight from Frankfurt to Johannesburg, from where we caught the short flight to Windhoek. Fortunately, we had both slept several hours on the overnight flight and were ready to go and beyond excited to finally be in Africa. We travelled with carryon luggage only, so it didn’t take long for us to leave the secure area and meet our guide, Francois, who was waiting for us. We went straight out to the vehicle and Francois drove us out of Windhoek by a back road, avoiding driving through the city. We stopped at one of the “tree” rest stops, and Francois gave us sandwiches, fruit, and personalized water bottles that he filled for us. He showed us the map, and we discussed the itinerary and our travel style. Coming from the Canadian foothills, we are used to long drives, so our guide knew we would be all right with taking the “scenic route” when the opportunity presented itself. (We learned from our guide that the sign is shaped to point to the side of the road where the rest stop will be. In this case, the rest stop will be on the right.) There was a huge corn cricket at the rest stop. This was my first "wildlife" sighting in Africa. I am insect phobic, so I was thinking, "Uh, oh. What have I let myself in for?" Fortunately, that was the worst thing I saw the whole trip. Our first night was booked at Bagatelle Kalahari Game Ranch. On the way, we stopped at a sociable weavers’ nest. We couldn't believe how busy and noisy it was, with all the birds and the bees. On the way, we also saw mongoose, steenbok, springbok, kudu, giraffe, a crimson-breasted shrike (aka “executioner bird”), a kori bustard, ostrich, elands, and termite mounds. We didn’t take many pictures, as most of the animals were a bit too far away for good shots, and our guide said we would have better opportunities later on. We also saw some people driving a “Kalahari Ferrari." At Bagatelle, we had a dune chalet, and it was gorgeous. It was spacious, beautifully decorated, and had a lovely view of the dunes and a small waterhole with springbok, donkeys, and an eland. There were ostrich on the property, as well. The chalet, the lodge, and the scenery were all so lovely that this is among the top 5 places I’ve every stayed, and I wish we’d had more than one night there. We got settled and then left the chalet. On our deck was a shovelnose lizard. Beside our deck, munching on a bush, was the lodge’s tame springbok, Skunky. We met the lodge’s guide and driver for the cheetah feeding. Bagatelle is part of the cheetah conservation effort, and they are host to two 14-year-old male cheetah that were “problem” animals and cannot be released into the wild for that reason. We went in an open-sided vehicle with a group, and once at the cheetah feeding site, we were allowed to get out of the vehicle once the cats were feeding. One of the cats does not do well with humans, but the other is approachable while he is eating. I got to go close to him and touch him. After the cheetah feeding, we went for a sundowner on top of a dune. John had a Meerkat Sauvingnon Blanc. I had water, as I don’t care for wine, and I was too busy taking pictures of the sunset, anyway. Afterwards, we had dinner at the lodge. Dinner was indoors, as it was too “cold.” (Note: winter in Namibia is warmer than summer where we live. Ha. Ha.) We had our first taste of African game: oryx and kudu, and it was delicious. Skunky, the springbok, kept trying to come into the dining room, and peered at us pleadingly through the window after he was banished. By this time, travelling and not quite enough sleep was catching up with us. We went to our chalet to sleep. I had one of the best sleeps of my entire life; it was so quiet and cool, and the bed was cozy. We slept almost 11 hours. June 12 We were up early for 7am breakfast, followed by our scheduled walk to a demonstration village with a San Bushman. On the way, we saw an eland who had a thin rope tied to his horns. We asked about that and were told he is sometimes "naughty" with the tourists. He certainly seemed to give us a mischievous grin. We were the only two who had booked the Bushman walk, so it was just us, Erastus (Black Mamba) the interpreter, and the San (!Koon (Tall Tree)). !Koon acted out some of the traditional ways that the San people survived in the Kalahari. He told us (using gestures and click language) about termite hills and anteater hunting, about snaring small birds, about the uses of the blackthorn tree (e.g. for stomach ailments), about caching water in ostrich eggs, and about trapping ostriches. He showed us how they started fire, and then we walked to the demonstration village. The women were sitting around a fire making beads from ostrich shell. There were children sitting with the woman and then playing. Then, Erastus brought us to meet the “chief.” He told us about foraging for caterpillars, making rattles, and the mini bow and arrow used for courting (still used today). There were three huts, and there was some ostrich shell jewellery on display. We bought an ostrich and porcupine quill bracelet. Then Erastus and !Koon walked us back to the lodge, and !Koon’s cute little daughter insisted on coming along. On the way back, we chatted a bit about our own heritage (Cree), and the commonalities among Indigenous people in Namibia and Canada. We really felt we had made a connection in our short time together, and it seemed that !Koon and Erastus felt the same. We had heartfelt goodbyes with both !Koon and Erastus, who both told us that they had sincerely enjoyed their time with us, and we said the same. We freshened up at the lodge, and then we were on our way to Sesriem. To be continued.
Having an interest in Africa’s culture/history as well as it’s wildlife I thought it was time for a thread on a subject that perfectly combines these two interests and that hasn’t come up as far as I can recall very often and that is rock art. I’m not any kind of expert on this subject and haven’t visited a huge numbers of sites but I thought I’d write a brief intro before getting to some photos from the places I have been to. All over Africa there are fine examples of rock art, ancient paintings and engravings or petroglyphs, such art has been found on all continents except Antarctica but there is more of this art in Africa than anywhere else in the world. The Saharan Region is especially rich in both paintings and petroglyphs which provide a fascinating insight into the lives of the ancient peoples of this region and the of wildlife that they lived alongside, much of this artwork dates from a wet period when the Sahara was not a desert but a lush green land of rivers and lakes, lush grasslands and savannahs. Besides depictions of people and their cattle and other livestock there are numerous representations of easily recognisable wild animals like giraffes, elephants and white rhinos in countries like Libya and Algeria far outside their modern historical distribution. Sadly much of this rock art is found in areas of the Sahara that are no longer accessible to tourists due to ongoing political instability, I don’t know enough about all of the countries of this region so there may be some sites that are safe to visit, certainly it should be okay to visit some of the sites in the Ennedi region of Chad, I have not done so. I have only admired the extraordinary engravings of giraffes for example found in Niger in photographs in Nat Geo and online. Here’s a link to the Trust for African Rock Art click on the countries highlighted to see photos of this extraordinary art. While rock art can be found in various places in East Africa the largest collection of paintings (that I know of) is as at Kondoa in Tanzania just south west of Tarangire NP, although I’ve not visited Kondoa the rock art sites are not that hard to get to being only 9kms from the main highway going south from Arusha to Dodoma. While the site is accessible it’s only 3.5 hrs drive south of Arusha it is somewhat off the beaten track as far as Tanzania’s northern safari circuit is concerned and most people going from Arusha down to say Ruaha NP or Selous GR would tend to fly rather than drive. You really need to make a special trip to visit Kondoa as you’re not likely to be passing by, therefore few tourists visit these paintings. The depictions of elongated human figures and local wildlife are thought primarily to have been painted by the Sandawe people, related to the San peoples of Southern Africa and speaking a similar click language the Sandawe were likewise originally hunter gatherers. Here’s a guide to Kondoa Rock Art of Kondoa Irangi Further south, Southern Africa has an abundance of rock art, around the whole region numerous caves and rock shelters have been richly decorated with depictions of the local wildlife and people, for the most part these paintings and pictographs were created by San hunter gatherers and later Khoekhoe herders. The pictures are in many cases not actually depictions of the real world as observed by the San, but are in fact scenes taken from the spirit world visited by their shamans during trances brought on during ceremonial dances. The frequency with which certain animal species were depicted depended on their spiritual significance to the people of the area. In South Africa (& Lesotho) where there could be anywhere up to 30,000 rock art sites and over 1 million images, the eland was the most totemic species in the Drakensberg and Maloti Mts for example there are whole galleries of eland paintings. In Namibia and Zimbabwe depictions of eland are far less frequent and giraffes much more common, other animals like zebras, rhinos, elephants and ostriches are also commonly depicted. I don’t know if this reflects a difference in the past abundance of these animals or simply their significance to the artists who portrayed them. Many of the painting and petroglyphs date back to around 2,000 years or so ago, although it’s recently been confirmed that some of the oldest paintings in South Africa date back to 5,000 years ago. The tradition may go back far longer but paintings on sandstone apparently don’t last for more than a few thousand years due to the porous nature of the rock. There are also much more recent paintings but it’s generally thought that certainly in South Africa the San stopped painting soon after European colonisation, large numbers of San died from smallpox brought in by the settlers or were killed in conflicts with the newly arrived whites and also the expanding black tribes that were encroaching into their territory. Conflict was inevitable as the San saw no distinction between wild game and domestic livestock regarding both simply as meat to be hunted, the severe reduction in their numbers, the disruption to their culture and mixing with other peoples brought an end to their production of rock art. While I’ve not visited rock art sites in the Sahara or East Africa I have been to a couple of sites in Zimbabwe and in Namibia, as with the rest of Southern Africa the San were the original inhabitants of Zimbabwe and would have lived throughout the country, they produced the majority of the rock art found at over 15,000 sites around the Zimbabwe. One of the highest concentrations of rock paintings can be found in the Matobos Hills just south of Bulawayo throughout these beautiful hills caves and rock overhangs were decorated by the San. The most accessible of these caves sites in Matobos National Park is Nswatugi Cave which has some of Zimbabwe’s most impressive paintings and is also conveniently close to Malindidzimu or World’s End the spectacular burial place of Cecil Rhodes. Nswatugi Cave a Guide to the Big Game of the Matobos. Rhodes Matopos NP as it was originally called was created in 1926 after Cecil Rhodes bequeathed the area to the country, much of the original big game that would once have been found in the Matobos had been hunted out. When it was decided in the 1960s to set aside an area of the park as a game preserve that would be restocked with suitable wildlife, they needed to know which species they should reintroduce, caves like Nswatugi provided a perfect guide to the original fauna of the park. At another site that I’ve not visited known as the White Rhino Shelter is the faint outline of what is clearly a white rhino, a species that was entirely extinct in the country when Southern Rhodesia was founded in the 1890s, exactly when they became extinct is not known (as far as I know) but this evidence of their former presence led to their reintroduction. There is now a healthy and seemingly well protected population of southern white rhinos and also black rhinos in the park. Some of the other game hasn’t fared quite as well some species like buffalo were actively exterminated some years ago for reasons of foot and mouth disease control and a lot of game was poached during the recent chaos, but hopefully more restocking will be carried out in future when the opportunity arises. Photographing rock paintings can be a bit of a challenge as you can’t use flash which would damage the paintings, so I wasn't sure how well my photos would come out when I visited Nswatugi a few years ago. These paintings are perhaps 2,000 years old and have survived remarkably well considering that Ndebele rebels hid out in caves like this one during the first Chimurenga or freedom war that lasted from 1894-97. It was from hideouts in the Matobos that they launched their guerilla war against the white settlers that nearly extinguished the fledgling colony of Southern Rhodesia. The large animal in the centre of the scene is an eland The artists would often simply paint on top of the earlier paintings frequently creating a jumble of images which can make it a little difficult to make out some of the individual animals and people, the shapes below the eland appear to be entirely abstract and I don't recall what their significance may have been if known. Probably the finest painting of giraffes in Zimbabwe This would appear to be a female greater kudu Greater kudu bull Giraffes, zebras, antelopes and other animals Plains zebra
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